How cool are these food wheels? They're made by Chew On This
a New York company started by chef, Carlin Greenstein and designer, Annie Stranger to educate people on the benefits of eating locally grown produce.
The top left wheel is an Illustrated Guide to Forty Culinary Herbs
, designed to help the user identify the most commonly used herbs and gives tips on the reverse for storage and recipes.
The top right wheel is The New York Area Food Wheel
, a guide to the best and most widely available, locally grown produce (local to NY that is) at different times of the year.
I absolutely love moving diagrams and charts, so hopefully the kind people at Chew On This
will mail to the UK. Not sure the NY Area wheel will be much use to me over here, but it will look great!Images copyright Chew On This.Via SwissMiss.
Whoo hoo! These arrived today - I bought them a few weeks ago and actually forgot about them, so it was a very nice surprise when they arrived this morning.
They are Chilton's
Motor Age covers from 1958. The designs are really modern and graphic. I especially like the gauges on the November cover and the giant 59's used for December's.
Reading some of the articles and seeing no cover price, I get the impression it was a trade publication sent out to mechanics and car dealers (I could be wrong about this so if you know different please let me know).
Art & Industry covers (colour coded by month), 1950Manual covers for Fisons Pest Control, 1956-64Type style and shop posters for Mac Fisheries, 1952-59Showcards and adverts for W.Raven & co Ltd., 1946-50
I found a copy of 'Zero: Hans Schleger - A Life of Design
' last week and have been absorbed in it since - there are just so many truly great pieces of design in it. Schleger's wife and design partner, Pat Schleger collated the book in 2001 as a retrospective of his work.
Schleger was originally from Berlin and became one of the first 'émigré' artists/designers to take the modernist approach of European advertising to the US in the mid 20's. He returned to Berlin briefly in 1929, but emigrated to the UK when Hitler came to power. Pat joined his studio as a designer in 1949 and they married 7 years later. Together as Hans Schleger Associates they created identities and promotional material for high profile clients including Penguin, British Rail and the Edinburgh International Festival. Hans died in 1976 but Pat kept the company going and continued producing fantastic work for the Royal Academy and the BBC Symphony Orchestra.
I particularly love the work they did for the Edinburgh International Festival (below) from 1966, when they designed the first festival logo, through to 1978.All images copyright Pat Schleger.
I found these on the Samba
, a US VW forum - VW's and vintage matchbook covers - 2 of my favourite things combined. What a delight! It's a really good collection, ranging from the 50's to the 70's.
More matchbooks here
Here's a fun little job that came out of the Delicious
studio this week - a logo to accompany and brand Make Do & Mend's, 'Slow Fashion
' movement (values listed above) that can be downloaded by followers and added to their sites to show support.
Geigy where a world-famous pharmaceutical and chemical company in the 50's and 60's who joined with Ciba in 1970 to form Geigy-Ciba who in turn merged with Sandoz in 1996 to form the pharmaceutical giant Novartis still going strong today.
Back in the 50's though Geigy, a Swiss company, where pioneers in the pharmaceutical industry with their bold, typographic advertising and design style. Their advertising adopted the current trends in Swiss typography and design such as using predominantly sans serif faces (Berthold's Standard Bold being a favourite) and maintaining a minimal, 'clinical' feel to the layout design.
In a somewhat conservative industry, this was a brave step, but very successful, creating an instantly recognisable brand. During the mid 50's they started advertising in the UK using the same design and typographic style (above are a selection of the first British leaflets). The article below, from Print in Britain, January 1958, discusses this wonderful house style, how they introduced it in Britain and how it was received.
I won these issues of Print in Britain on Ebay last week for next to nothing and they arrived this morning. I can't find much out about the publication other than it was "A monthly magazine for everyone in the printing industry", published on Orange Street in London and art directed by J couper.
The earliest copy I have is from July 1955 which is Volume 3, Number 3 so I'm guessing it started in 1953. Most of the issues are in two colours (black and a bright colour) which are used really well throughout. I like the use of the overlay in the spread below.
At least half of the publication is taken up with advertising - there are ads for printing presses, inks, design, typefaces and paper samples which are all great, but here are my favourites:
I particularly like the big numbers, but that goes without saying!
The Design Museum
is showing the first UK retrospective of illustrator and graphic designer, Alan Aldridge "The Man with the Kaleidoscope Eyes
" until January 2009.
Aldridge was born in London, but has lived in LA for 25 years. He became huge in the swinging 60’s with his unique style of psychedelic illustration on the Beatles lyric book and iconic album covers for the Rolling Stones, Elton John and The Who. During this time he was also the Art Director at Penguin and is said to have, “breathed fresh life into modern book cover design
The exhibition sounds great, “an elaborate display of complete works as well as sketches, notes, letters and other archival material as well as films; bringing to life the exciting career of Alan Aldridge
”, and I can't wait to see it, but for anyone that can’t make it you can checkout his work and buy prints here
Images copyright Alan Aldridge.
Anyone remember Windfall, the International Apple Computer magazine? No I didn’t either, but I found a few issues at the weekend and thought they would be fun to read. Check out the 80's design too:
Windfall started in January 1981 and was the UK’s main Apple specialist magazine.
The main focus of the issues I have is the launch of ‘Lisa’, “the electronic office revolution of tomorrow’ - Apple's innovative micro computer with a unique operating system and a suite of programs allowing the user to word-process, draw, create spreadsheets and graphs and be able to print them all easily. The user-friendly, operating system used a desktop filing system (similar to how we use them today), had icons, went to sleep when not in use and remembered preferences. It was basically the forerunner to the operating systems we know and love today and it was the predecessor to Macintosh.
There are also some great ads for the Apple products with the old logo, and associated products:
In 1984 Windfall changed its name to the more familiar, Apple User - a title I do remember. Here are issues 1 & 2 – note the typo on the February issue covered up with a sticker! Underneath it says ‘January’!
The most interesting thing about these 2 issues is that they introduce the Apple Macintosh, the second in the Lisa family. Here’s the first article about the Apple Mac (Mouse Activated Computer):
Unfortunately by 1987 Apple had decreased in popularity in the UK, having never really found the market here for their advanced 16 bit IIg’s, and publications like Apple User fell by the wayside. Something that seems hard to believe looking at the dominance of Apple products in the UK market today!
My new (old) book arrived today "The Medium is the Massage
" - strange title I know, it was apparently meant to be "The Medium is the Message", but authors Marshall McLuhan and Quentin Fiore thought a typo by the printer actually expressed their point more, so they kept it.
I saw it for the first time a few weeks ago on Acejet
and loved it's big type, the bold graphics and experimental layouts.
It reminded me of my favourite Paul Arden books; "It's not how good you are, but how good you want to be
" and "Whatever you think, think the opposite
" - inspiring and wonderful books that also experiment with the use of large type, photography and graphics to make their point.
Anyway, Acejet kindly pointed to an available copy, I snapped it up and now it's mine for ever - Don't you just love a happy ending, especially on a Friday!All book content copyright Bantam Books Inc., 1967.
How gorgeous are these prints from Hatch Show Print
? I'm a big fan, and love their book
, but had never ventured onto their website
until now that is, and I don't think it will be the last time.
It gives a brief history of this fantastic print shop, introduces the people behind it and has a great selection of monoprints (created by Jim Sherraden), original show posters and some 'restrikes' of older posters, all for sale and all as great as the ones above.
Images copyright Hatch Show Print.
Loving stamps at the minute, especially the Czech ones. These little beauties are from 1974 - you just can't beat big numbers and simple graphics!
great source of inspiration at the weekend and although at first glance the website doesn't look very inspiring, it contains some fantastic packaging imagery.
reviews soft drinks around the world, categorised by country and type of drink (ie. Energy drink, fruit drink, malt bevergage etc...), but the most interesting part for me is that every drink reviewed has a lovely big pic of the product and some of them are just great - above are my favourites.Images copyright Delicious Sparkling Temperance Drinks.